{"id":408,"date":"2024-12-16T14:29:37","date_gmt":"2024-12-16T05:29:37","guid":{"rendered":"http:\/\/giartfestival.com\/en\/?page_id=408"},"modified":"2025-09-05T14:20:15","modified_gmt":"2025-09-05T05:20:15","slug":"artist-list11","status":"publish","type":"page","link":"http:\/\/giartfestival.com\/en\/artist-list11\/","title":{"rendered":"\ucc38\uc5ec\uc791\uac00 &#8211; \ud638\ucd94\ub2c8\uc5d4"},"content":{"rendered":"\n<div class=\"wp-block-uagb-container uagb-block-de181ae5 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-a88870e2\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-6607ec70 section_sub_title\"><h2 class=\"uagb-heading-text\">EXHIBITION<\/h2><\/div>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-f8d2b097 section_title\"><h1 class=\"uagb-heading-text\">ARTIST<\/h1><\/div>\n\n\n\n<div class=\"wp-block-uagb-container text_info_box uagb-layout-flex 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data-thumb=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/KakaoTalk_Photo_2025-04-04-10-12-56-002-75x50_c.jpg\" data-title=\"Shapeshifters, 2025, 99 min.\" data-envirabox='1642' itemprop=\"contentUrl\"><div class=\"envira-lazy\" style=\"padding-bottom: 75%;\" data-envira-changed=\"false\" data-width=\"640\" data-height=\"480\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/KakaoTalk_Photo_2025-04-04-10-12-56-002-1024x665.jpg\" alt=\"\" class=\"envira-gallery-image envira-gallery-image-5    envira-lazy\" height=\"480\" id=\"envira-gallery-image-1608\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" tabindex=\"-1\" title=\"Shapeshifters, 2025, 99 min.\" width=\"640\" data-caption=\"\" data-envira-gallery-id=\"1642\" data-envira-index=\"4\" data-envira-item-id=\"1608\" 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data-envira-item-id=\"1576\" data-envira-retina=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_317-scaled.jpg\" data-thumb=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_317-scaled-75x50_c.jpg\" data-title=\"Shapeshifters, 2025, 99 min.\" data-envirabox='1642' itemprop=\"contentUrl\"><div class=\"envira-lazy\" style=\"padding-bottom: 75%;\" data-envira-changed=\"false\" data-width=\"640\" data-height=\"480\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_317-1024x683.jpg\" alt=\"\" class=\"envira-gallery-image envira-gallery-image-7    envira-lazy\" height=\"480\" id=\"envira-gallery-image-1576\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" tabindex=\"-1\" title=\"Shapeshifters, 2025, 99 min.\" width=\"640\" data-caption=\"\" data-envira-gallery-id=\"1642\" data-envira-index=\"6\" 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envira-gallery-captioned-data-base\"><\/div><\/div><\/div><div id=\"envira-gallery-item-1575\" class=\"envira-gallery-item envira-gallery-item-9 envira-lazy-load\" style=\"padding-left: 5px; padding-bottom: 10px; padding-right: 5px;\"  itemscope itemtype=\"https:\/\/schema.org\/ImageObject\"><div class=\"envira-gallery-item-inner\"><div class=\"envira-gallery-position-overlay envira-gallery-top-left\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-top-right\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-bottom-left\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-bottom-right\"><\/div><a class=\"envira-gallery-1642 envira-gallery-link\" href=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-scaled.jpg\" title=\"Shapeshifters, 2025, 99 min.\" data-caption=\"\" data-envira-item-id=\"1575\" data-envira-retina=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-scaled.jpg\" data-thumb=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-scaled-75x50_c.jpg\" data-title=\"Shapeshifters, 2025, 99 min.\" data-envirabox='1642' itemprop=\"contentUrl\"><div class=\"envira-lazy\" style=\"padding-bottom: 75%;\" data-envira-changed=\"false\" data-width=\"640\" data-height=\"480\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-1024x683.jpg\" alt=\"\" class=\"envira-gallery-image envira-gallery-image-9    envira-lazy\" height=\"480\" id=\"envira-gallery-image-1575\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" tabindex=\"-1\" title=\"Shapeshifters, 2025, 99 min.\" width=\"640\" data-caption=\"\" data-envira-gallery-id=\"1642\" data-envira-index=\"8\" data-envira-item-id=\"1575\" data-envira-src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-1024x683.jpg\" data-envira-srcset=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-1024x683.jpg 400w, http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-1024x683.jpg 2x\" data-title=\"Shapeshifters, 2025, 99 min.\" itemprop=\"thumbnailUrl\"  data-envirabox=\"1642\" \/><\/div><\/a><div class=\"envira-gallery-captioned-data envira-gallery-captioned-data-base\"><\/div><\/div><\/div><div id=\"envira-gallery-item-1578\" class=\"envira-gallery-item envira-gallery-item-10 envira-lazy-load\" style=\"padding-left: 5px; padding-bottom: 10px; padding-right: 5px;\"  itemscope itemtype=\"https:\/\/schema.org\/ImageObject\"><div class=\"envira-gallery-item-inner\"><div class=\"envira-gallery-position-overlay envira-gallery-top-left\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-top-right\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-bottom-left\"><\/div><div class=\"envira-gallery-position-overlay envira-gallery-bottom-right\"><\/div><a class=\"envira-gallery-1642 envira-gallery-link\" href=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-scaled.jpg\" title=\"Shapeshifters, 2025, 99 min.\" data-caption=\"\" data-envira-item-id=\"1578\" data-envira-retina=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-scaled.jpg\" data-thumb=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-scaled-75x50_c.jpg\" data-title=\"Shapeshifters, 2025, 99 min.\" data-envirabox='1642' itemprop=\"contentUrl\"><div class=\"envira-lazy\" style=\"padding-bottom: 75%;\" data-envira-changed=\"false\" data-width=\"640\" data-height=\"480\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-1024x683.jpg\" alt=\"\" class=\"envira-gallery-image envira-gallery-image-10    envira-lazy\" height=\"480\" id=\"envira-gallery-image-1578\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" tabindex=\"-1\" title=\"Shapeshifters, 2025, 99 min.\" width=\"640\" data-caption=\"\" data-envira-gallery-id=\"1642\" data-envira-index=\"9\" data-envira-item-id=\"1578\" data-envira-src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-1024x683.jpg\" data-envira-srcset=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-1024x683.jpg 400w, http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-1024x683.jpg 2x\" data-title=\"Shapeshifters, 2025, 99 min.\" itemprop=\"thumbnailUrl\"  data-envirabox=\"1642\" \/><\/div><\/a><div class=\"envira-gallery-captioned-data envira-gallery-captioned-data-base\"><\/div><\/div><\/div><\/div><\/div><noscript><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_013-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_318-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/\ud638\ucd94\ub2c8\uc5d4-Ho-Tzu-Nyen_1-or-2-Tigers-\uc2a4\ud2f8\ucef7-2021_1.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/KakaoTalk_Photo_2025-04-04-10-12-55-001.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/KakaoTalk_Photo_2025-04-04-10-12-56-002.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/KakaoTalk_Photo_2025-04-04-10-12-56-006.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_317-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_206-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_211-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2025\/04\/250314_GIAF25_322-scaled.jpg' alt='' class='envira_noscript_images ' \/><\/noscript>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Shapeshifters<\/em>, 2025, single-channel video, color, sound, 99 min.<\/strong><\/li>\n<\/ul>\n\n\n\n<p>Singaporean artist Ho Tzu Nyen delves into the histories, politics, and spiritual traditions of Southeast Asia. At GIAF25, Ho presented a curated screening program under the theme \u201cShapeshifters,\u201d featuring five of his works. Through hybrid figures such as creatures and agents\u2014entities that reside at the boundaries of categories\u2014 the artist examines how stories are created, circulated, and transformed. These figures serve as lenses through which the artist investigates overlapping forms of Asian modernity, revealing how histories are layered, fragmented, and continually rewritten.<br><br> By highlighting the complex interplay of identity, history, and narrative, <em>Shapeshifters<\/em> aligns with the festival\u2019s thematic focus on <em>old stories<\/em>. Just as the Silla-era ballad <em>Myeongju-ga<\/em> evolved into the myth of Lady Yeonhwa in Gangneung folklore, stories continuously morph through generations. Ho\u2019s films capture this phenomenon, showing how past and present are always in flux, shaped by the countless voices that carry stories forward.&nbsp;<br><br><br><br>Screening list<br><br>1. <em>The Nameless<\/em>, 2015, 21min. 50sec.<br>2. <em>The Name<\/em>, 2015, 17min. 20sec.<br>3. <em>36 Ghosts<\/em>, 2021, 20min.<br>4. <em>1 or 2 Secret Agencies<\/em>, 2021, 20min.<br>5. <em>1 or 2 Tigers<\/em>, 2021, 20min.<br><br><br><br>Korean translation and screening commissioned by Gangneung International Art Festival 2025 (GIAF25).<\/p>\n\n\n\n<p>1. <em>The Nameless<\/em>, 2015, 21min 50sec.<br><br> <span style=\"text-decoration: underline;\">Synopsis<\/span><br><br>The Nameless is about a person known as Lai Teck, which was one of the 50 known aliases of the Secretary-General of the Malayan Communist Party from 1939 to 1947, when he was killed in Thailand, after being exposed as a triple agent\u2014working first for the French then British secret forces, then with the Japanese Kempeitai during the years of the Malayan Occupation. <br>But The Nameless is also about cinema, and acting. Of all the great cinematic cultures of the world, it is perhaps Hong Kong cinema that has shown a most intense fascination with \u201ccompromised\u201d individuals, as evident from the constant stream of Hong Kong films about \u201cstool pigeons\u201d, \u201cdouble-agents\u201d, \u201cinformers\u201d and \u201ctraitors\u201d. <br><br>A film about a shapeshifter, told through a series detourned images, featuring an actor from a land of manifold allegiance, told through multiple languages.<br><br> <span style=\"text-decoration: underline;\">Credits<\/span><sup data-fn=\"e684c5de-45cc-4a8a-bd0e-c0afac42ebeb\" class=\"fn\"><a id=\"e684c5de-45cc-4a8a-bd0e-c0afac42ebeb-link\" href=\"#e684c5de-45cc-4a8a-bd0e-c0afac42ebeb\">1<\/a><\/sup><br><br> <span style=\"text-decoration: underline;\">Sources<\/span><sup data-fn=\"7bf50d31-b80e-42c6-8d79-0f45bae565f4\" class=\"fn\"><a id=\"7bf50d31-b80e-42c6-8d79-0f45bae565f4-link\" href=\"#7bf50d31-b80e-42c6-8d79-0f45bae565f4\">2<\/a><\/sup><br><\/p>\n\n\n\n<p>2. <em>The Name<\/em>, 2015, 17min 20sec.<br><br><br> <span style=\"text-decoration: underline;\">Synopsis<\/span><br><br>Gene Z. Hanrahan was the first writer who attempted to compose a comprehensive historical account of the Malaysian communist party, and also produced a wide variety of other writings, including \u201chistorical\u201d as well as \u201cliterary\u201d works. His diverse interest imbues his overall oeuvre with the impression that they comprise pieces written by disparate individuals using a shared alias rather than a single author. Today, there are substantial reasons to consider Gene Z. Hanrahan as a ghost-writer, with links to the CIA. <br><em>The Name<\/em> is constructed out of footage appropriated from various Western films showing actors engaged in the act of writing. The spoken text that accompanies <em>The Name<\/em> consists of excerpts from various books \u201cwritten\u201d by Hanrahan, and are recited by professional American voice actors, who infuse Hanrahan\u2019s character with life by reading excerpts of his writings. <br><br><em>The Name<\/em> was originally configured as a single channel video projection, installed along with books edited or written by the author Gene Z. Hanrahan, many of them rare, out-of-print books that were collected by Ho Tzu Nyen since 2014.<br><br> <span style=\"text-decoration: underline;\">Credits<\/span><sup data-fn=\"013594ee-9c28-4e72-87cb-39ab51f1961d\" class=\"fn\"><a id=\"013594ee-9c28-4e72-87cb-39ab51f1961d-link\" href=\"#013594ee-9c28-4e72-87cb-39ab51f1961d\">3<\/a><\/sup><br><br> <span style=\"text-decoration: underline;\">Sources (image, sound<\/span>)<sup data-fn=\"30c637b7-3e54-4437-9b68-5b467e1a7b50\" class=\"fn\"><a id=\"30c637b7-3e54-4437-9b68-5b467e1a7b50-link\" href=\"#30c637b7-3e54-4437-9b68-5b467e1a7b50\">4<\/a><\/sup><br><br> <span style=\"text-decoration: underline;\">Citations(text)<\/span><sup data-fn=\"a68e14dc-4e06-49d0-9b08-cf0b6567b8c4\" class=\"fn\"><a href=\"#a68e14dc-4e06-49d0-9b08-cf0b6567b8c4\" id=\"a68e14dc-4e06-49d0-9b08-cf0b6567b8c4-link\">5<\/a><\/sup><br><br><\/p>\n\n\n\n<p>3. <em>36 Ghosts<\/em>, 2021, 20min.<br><br><br> <span style=\"text-decoration: underline;\">Synopsis<\/span><br><br><em>36 Ghosts<\/em> explores the associations of Japanese Yokai with war, particularly the new tales that emerged with the Pacific War. These creatures remained firmly embedded in everyday imagination, with wartime fears and desires of the masses unconsciously spilling out into the world as Yokai. In <em>36 Ghosts<\/em>, some tales of Yokai are informed by Japan\u2019s invasion of Malaya and other Southeast Asian countries: Two \u2018Tigers of Malaya,\u2019 General Yamashita Tomoyuki and vigilante Tani Yutaka, are present as weretigers; the Bake-neko (Monster Cat) and the Himamushi-nyudo (Firebug Monk), two Yokai traditionally believed to have the habit of licking oil from lanterns, are tied to the search for resources such as oil through the invasion of Southeast Asia during the war. Together, the tales woven about these creatures illuminate attempts to understand the self through monstrosity.<br><br> <span style=\"text-decoration: underline;\">Cast &amp; Credits<\/span><sup data-fn=\"993cc6a3-1ea8-49ad-8c7c-aae823cde99b\" class=\"fn\"><a id=\"993cc6a3-1ea8-49ad-8c7c-aae823cde99b-link\" href=\"#993cc6a3-1ea8-49ad-8c7c-aae823cde99b\">6<\/a><\/sup><br><\/p>\n\n\n\n<p>4. <em>1 or 2 Secret Agencies<\/em>, 2021, 20min.<br><br><br> <span style=\"text-decoration: underline;\">Synopsis<\/span><br><br>In 1938, Japan established the Nakano Army School as a place to educate and train potential agents in intelligence, counter-intelligence, and propaganda. Only the most gifted were recommended by various army units and universities for possible entry into the Nakano School, and those who passed the barrage of difficult tests were seen as geniuses. Graduates from the Nakano School would later head the F-Kikan (F-Agency), a secret service founded in 1940 in South and Southeast Asia. <em>1 or 2 Secret Agencies<\/em> overlays animation and live-action to blur boundaries between the fictional and the historical narratives surrounding the shifting identities of the spies that progressed through the Nakano School. The numerous spies that appear follow varied pathways, some giving up their lives for their country or their government, while others become agents of their own lives.<br><br> <span style=\"text-decoration: underline;\">Cast &amp; Credits<\/span><sup data-fn=\"c7a36e9b-4fa4-4111-b4c8-c68e48bd6e59\" class=\"fn\"><a id=\"c7a36e9b-4fa4-4111-b4c8-c68e48bd6e59-link\" href=\"#c7a36e9b-4fa4-4111-b4c8-c68e48bd6e59\">7<\/a><\/sup><br><\/p>\n\n\n\n<p>5. <em>1 or 2 Tigers<\/em>, 2021, 20min.<br><br><br> <span style=\"text-decoration: underline;\">Synopsis<\/span><br><br><em>1 or 2 Tigers<\/em> delves into the narratives of two Japanese individuals each known as the \u2018Tiger of Malaya.\u2019 General Yamashita Tomoyuki, commander of the 25th Army, was known as the \u2018Tiger of Malaya\u2019 for his defeat of superior forces during the 1942 invasion of Singapore. The other \u2018Tiger of Malaya\u2019 was Tani Yutaka, a Malayaraised Japanese bandit known as \u2018Harimau\u2019 (Malay for \u2018Tiger\u2019), regarded by some as a hero who sided with the poor and the weak. Tani was later persuaded by Kamoto Toshio, a Nakano School-trained spy from the F-Agency, to become a spy to oppose the British army. Tracing the historical emergence of tiger imagery in East Asian paintings up till contemporary Japanese animation, tigers recur in<em> 1 or 2 Tigers<\/em> as the phantoms of wartime histories.<br><br><br> <span style=\"text-decoration: underline;\">Cast &amp; Credits<\/span><sup data-fn=\"9e418857-6753-4364-9f81-887e41e70216\" class=\"fn\"><a id=\"9e418857-6753-4364-9f81-887e41e70216-link\" href=\"#9e418857-6753-4364-9f81-887e41e70216\">8<\/a><\/sup><br><\/p>\n\n\n\n<p>\u202f&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-a5836460\"><div class=\"uagb-separator-spacing-wrapper\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-c29cea5f\">\n<div class=\"wp-block-uagb-container uagb-block-bc528afa\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-b50c7548 text_info\"><p class=\"uagb-heading-text\">Ho Tzu Nyen (b. 1976) is a Singaporean artist whose work incorporates a wide range of elements, including cultural references from both East and West, as well as art history, theater, film, music, and philosophy. By blending mythical narratives with historical facts, he explores various understandings of history, its documentation, and its transmission. The central theme of his work is a long-term study of Southeast Asia\u2019s multicultural identity. He perceives Southeast Asia as a region of immense diversity in terms of language, religion, culture, and external influences\u2014a complex space that cannot be explained merely as a geographical area or through various knowledge systems, narratives, and modes of expression. Ranging from documentary research to fantasy, his works employ archival images, animation, and film to create immersive and dramatic installations. <br><br>Ho Tzu Nyen has held solo exhibitions at major international institutions including LUMA Arles (2025), Mudam Luxembourg (2025), Hessel Museum of Art (2024), Art Sonje Center (2024), Museum of Contemporary Art Tokyo (2024), Singapore Art Museum (2023), Hammer Museum (2022), Toyota Municipal Museum of Art (2021), Crow Museum of Asian Art (2021), YCAM \u2013 Yamaguchi Center for Arts and Media (2021), Edith-Russ-Haus for Media Art (2019), Kunstverein in Hamburg (2018), McaM \u2013 Museum of Contemporary Art Shanghai (2018), Asia Art Archive (2017), Guggenheim Museum Bilbao (2015), and Mori Art Museum (2012). In 2011, he represented Singapore at the 54th Venice Biennale. Together with Taiwanese artist Hsu Chia-wei, he also co-curated the 7th Asian Art Biennale, <em>The Strangers from Beyond the Mountain and the Sea<\/em> (2019), at the National Taiwan Museum of Fine Arts. He has been appointed Artistic Director for the 16th Gwangju Biennale in 2026.<\/p><\/div>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-bf71e4f2\"><div class=\"uagb-separator-spacing-wrapper\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-17c3b901\"><p class=\"uagb-heading-text\"><strong><a href=\"http:\/\/giartfestival.com\/en\/place6\/\" data-type=\"page\" data-id=\"265\">&nbsp;Sinyeong&nbsp;Theater<\/a><\/strong><\/p><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container w100 spectra-popup-trigger-344 uagb-block-cf80eae3\"><div id=\"envira-gallery-wrap-938\" class=\"envira-gallery-wrap envira-lazy-loading-enabled envira-layout-blogroll envira-gallery-theme-base\" itemscope itemtype=\"https:\/\/schema.org\/ImageGallery\"><div class=\"envira-loader\"><div><\/div><div><\/div><div><\/div><div><\/div><\/div><div id=\"envira-gallery-938\" 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data-width=\"640\" data-height=\"480\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2024\/12\/\ud638\ucd94\ub2c8\uc5d4.jpg\" alt=\"\" class=\"envira-gallery-image envira-gallery-image-1    envira-lazy\" height=\"480\" id=\"envira-gallery-image-409\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAP\/\/\/\/\/\/\/yH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" tabindex=\"-1\" title=\"\ud638\ucd94\ub2c8\uc5d4\" width=\"640\" data-caption=\"\" data-envira-gallery-id=\"938\" data-envira-index=\"0\" data-envira-item-id=\"409\" data-envira-src=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2024\/12\/\ud638\ucd94\ub2c8\uc5d4.jpg\" data-envira-srcset=\"http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2024\/12\/\ud638\ucd94\ub2c8\uc5d4.jpg 400w, http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2024\/12\/\ud638\ucd94\ub2c8\uc5d4.jpg 2x\" data-title=\"\ud638\ucd94\ub2c8\uc5d4\" itemprop=\"thumbnailUrl\"  data-envirabox=\"938\" \/><\/div><\/a><div class=\"envira-gallery-captioned-data envira-gallery-captioned-data-base\"><\/div><\/div><\/div><\/div><\/div><noscript><img src='http:\/\/giartfestival.com\/en\/wp-content\/uploads\/2024\/12\/\ud638\ucd94\ub2c8\uc5d4.jpg' alt='' class='envira_noscript_images ' \/><\/noscript>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n<ol class=\"wp-block-footnotes\"><li id=\"e684c5de-45cc-4a8a-bd0e-c0afac42ebeb\">Chinese voice: Song Yuzhe\u00a0<br>Vietnamese voice: Hung Manh Le\u00a0<br>Chinese translation: Low Kah Wei\u00a0<br>Vietnamese translation: Aaron Hasche\u00a0<br>Sound Mix: Titus Maderlechner\u00a0<br>Color Grading: Carolin R\u00f6ckelein<br>\u00a0 <a href=\"#e684c5de-45cc-4a8a-bd0e-c0afac42ebeb-link\" aria-label=\"1 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"7bf50d31-b80e-42c6-8d79-0f45bae565f4\">1989 &#8211; <em>City of Sadness<\/em> by Hou Hsiao Hsien, 157 min\u00a0<br>1990 &#8211; <em>Bullet in the Head<\/em> by John Woo, 136 min\u00a0<br>1990 &#8211; <em>Days of Being Wild<\/em> by Wong Kar Wai, 94 min\u00a0<br>1992 &#8211; <em>Hard Boiled<\/em> by John Woo, 1992, 128 min\u00a0<br>1994 &#8211; <em>Ashes of Time<\/em> by Wong Kar Wai, 100 min\u00a0<br>1994 &#8211; <em>Chungking Express<\/em> by Wong Kar Wai, 94 min\u00a0<br>1995 &#8211; <em>Xich lo (Cyclo)<\/em> by Tran Anh Hung, 123 min\u00a0<br>1997 &#8211; <em>Happy Together<\/em> by Wong Kar Wai, 96 min\u00a0<br>1998 &#8211;<em> The Longest Nite<\/em> by Patrick Yau, 81 min<br>2000 &#8211; <em>In the Mood for Love<\/em> Wong Kar Wai, 98 min<br>2002 &#8211;<em> Infernal Affairs (Part 1)<\/em> by Andrew Lau and Alan Mak, 101 min\u00a0<br>2004 &#8211; <em>2046<\/em> by Wong Kar Wai, 129 min\u00a0\u00a0<br>2007 &#8211; <em>Lust Caution<\/em> by Ang Lee, 157 min\u00a0<br>2011 &#8211; <em>The Great Magician<\/em> by Yee Tung-Shing, 128 min<br>2012 &#8211; <em>The Silent War<\/em> by Felix Chong and alan Mak, 120 min<br>2013 &#8211; <em>The Grandmaster<\/em> by Wong Kar Wai, 130 min<br>\u00a0\u00a0 <a href=\"#7bf50d31-b80e-42c6-8d79-0f45bae565f4-link\" aria-label=\"2 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"013594ee-9c28-4e72-87cb-39ab51f1961d\">Directions, script, edit, sound: Ho Tzu Nyen\u00a0<br>Project manager: Stephanie Goh\u00a0<br>Sound mix and audio engineer: Titus Maderlechner\u00a0<br>Color grading: Carolin R\u00f6ckelein<br>Research consultant:\u00a0 Marc Opper\u00a0<br>Chinese translation and voice:\u00a0 Tay Kong Hui\u00a0<br>American voices: Peter Gilbert Cotton\u00a0<br>Jonathan Failla\u00a0\u00a0<br>Tom Strauss\u00a0\u00a0<br>Project originally commissioned by Ariane Beyn forexhibition <em>The Name<\/em> (2015) at daadgalerie, Berlin\u00a0<br>Special Thanks:\u00a0 Bettina Klein, Marc Opper\u00a0<br>\u00a0\u00a0 <a href=\"#013594ee-9c28-4e72-87cb-39ab51f1961d-link\" aria-label=\"3 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"30c637b7-3e54-4437-9b68-5b467e1a7b50\">1980 &#8211; <em>The Shining <\/em>by Stanley Kubrick, 144 min\u00a0<br>1982 &#8211; <em>Deathtrap <\/em>by Sidney Lumet, 116 min\u00a0<br>1987 &#8211; <em>Barfly <\/em>by Barbet Schroeder, 100 min\u00a0<br>1990 &#8211; <em>Misery <\/em>by Rob Reiner, 107 min<br>1991 &#8211; <em>Barton Fink <\/em>by Joel and Ethan Coen, 116 min<br>1991 &#8211; <em>Kafka <\/em>by Steven Soderbergh, 98 min\u00a0<br>1991 &#8211; <em>Naked Lunch <\/em>by David Cronenberg, 115 min\u00a0<br>1994 &#8211; <em>The Hudsucker Proxy <\/em>by Joel and Ethan Coen, 111 min\u202f\u00a0<br>1997 &#8211; <em>Deconstructing Harry <\/em>by Woody Allen, 96 min\u00a0<br>2000 &#8211; <em>Wonder Boys <\/em>by Curtis Hanson, 107 min<br>2000 &#8211; <em>Finding Forrester <\/em>by Gus Van Sant, 136 min\u202f<br>2002 &#8211; <em>Adaptation <\/em>by Spike Jonze, 114 min<br>2004 &#8211; <em>Secret Window <\/em>by David Koepp, 96 min\u00a0<br>2005 &#8211; <em>Capote <\/em>by Bennett Miller, 114 min\u00a0<br>2005 &#8211; <em>Factotum <\/em>by Bent Hamer, 94 min\u00a0<br>2006 &#8211; <em>Half Light <\/em>by Craig Rosenberg, 110 min\u00a0<br>2006 &#8211; <em>Ask the Dust <\/em>by Robert Towne, 117 min\u00a0<br>2007 &#8211; <em>1408 <\/em>by Mikael H\u00e5fstr\u00f6m, 104 min\u00a0<br>2007 &#8211; <em>Atonement <\/em>by Joe Wright, 123 min<br>2008 &#8211; <em>Gonzo<\/em> by Alex Gibney, 120 min\u00a0<br>2010 &#8211; <em>The Ghost Writer <\/em>by Roman Polanski, 128 min\u00a0<br>2010 &#8211; <em>Howl <\/em>by Rob Epstein and Jeffrey Friedman, 84 min\u00a0<br>2011 &#8211; <em>The Rum Diary <\/em>by Bruce Robinson, 120 min<br>2012 &#8211; <em>Hemingway &amp; Gellhorn<\/em> by Philip Kaufman, 155 min<br>2012 &#8211; <em>The Master <\/em>by Paul Thomas Anderson, 144 min\u00a0<br>2013 &#8211; <em>Kill Your Darlings <\/em>by John Krokidas, 104 min<br> <a href=\"#30c637b7-3e54-4437-9b68-5b467e1a7b50-link\" aria-label=\"4 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"a68e14dc-4e06-49d0-9b08-cf0b6567b8c4\">1943 &#8211; William J. Kennedy, <em>Pre-Service course in Shop Practice<\/em>, U.S.A., New York: John Wiley &amp; Sons, INC., 1943, republished by India, New Delhi: Isha Books, 2013. <br>*According to the Library of Congress Catalogue, William J. Kennedy is the pseudonym of Gene Z. Hanrahan. <br>1954 &#8211; Gene Z. Hanrahan, <em>The Communist Struggle in Malaya<\/em>, U.S.A, New York: Institute of Pacific Relations 1954, republished by Malaysia, Kuala Lumpur: The University of Malaya Press in 1979. <br>1954 &#8211; Gene Z. Hanrahan, <em>Japanese Operations Against Guerilla Forces<\/em> , U.S.A., Maryland: Operations Research Office, The John Hopkins University. <br>1962 &#8211; Gene Z. Hanrahan (ed.), <em>ASSAULT! True Action Stories of the Island War in the Pacific<\/em>, selected, edited and introduced by Gene Z. Hanrahan, U.S.A., New York: Bantam Books. <br>1962 &#8211; Gene Z. Hanrahan (ed.), <em>Hemingway &#8211; The Wild Years<\/em> selected, edited and introduced by Gene Z. Hanrahan, U.S.A, New York: Dell Publishing. <br>1965 &#8211; Gene Z. Hanrahan (ed.), \u2018Foreword\u2019 to <em>50 Great Oriental Stories<\/em>, selected, edited and introduced by Gene Z. Hanrahan, U.S.A., New York: Bantam Books. <br>1974 &#8211; Gene Z. Hanrahan, <em>Communist Guerilla Warfare Tactics<\/em>, U.S.A., Colorado: Paladin Press. <br>1981 &#8211; Gene Z. Hanrahan (ed.), <em>The Murder of Madero, and the Role Played by the U.S. Ambassador Henry Lane Wilson<\/em>, Volume IV of Documents on the Mexican Revolution, U.S.A., North Carolina: Documentary Publications. <br>1981 &#8211; Gene Z. Hanrahan (ed.), <em>The Election of Madero, the Rise of Emiliano Zapata and the Reyes Plot in Texas<\/em>, Volume III of Documents on the Mexican Revolution (U.S.A., North Carolina: Documentary Publications. <br>1982 &#8211; Gene Z. Hanrahan (ed.), <em>Blood Below the Border \u2013 American Eyewitness Accounts of the Mexican Revolution<\/em>, U.S.A., North Carolina: Documentary Publications. <br>1983 &#8211; Gene Z. Hanrahan (ed.), to <em>Counter Revolution Along the Border<\/em>, Volume VII of Documents on the Mexican Revolution, U.S.A., North Carolina: Documentary Publications. <br>1983 &#8211; Gene Z. Hanrahan (ed.), <em>The Rebellion of Felix Diaz<\/em>, Documents on the Mexican Revolution, Volume VIII (U.S.A., North Carolina: Documentary Publications. <br>1985 &#8211; Gene Z. Hanrahan (ed.), <em>The Terrorist Classic: Carlos Marighella, Manual of the Urban Guerilla<\/em>, U.S.A., North Carolina: Documentary Publications. <br>1985 &#8211; Gene Z. Hanrahan (ed.), <em>The Bad Yankee \/ El Peligro Yankee \u2013 American Entrepreneurs and Financiers in Mexico<\/em>, Documents on the Mexican Revolution Volume IX (U.S.A., North Carolina: Documentary Publications. <br>1992 &#8211; Cheah Boon Kheng, <em>From PKI to the Comintern, 1924 &#8211; 1941: The Apprenticeship of the Malayan Communist Party<\/em>, U.S.A, New York: Cornell University Press, Southeast Asia Program Publications.<br> <a href=\"#a68e14dc-4e06-49d0-9b08-cf0b6567b8c4-link\" aria-label=\"5 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"993cc6a3-1ea8-49ad-8c7c-aae823cde99b\">Directions, Script, Edit, Sound Co-Design, Co-Producer: Ho Tzu Nyen\u00a0<br>Research, Script Collaboration, Translation (Japanese): Yoko Nose\u00a0<br>Translation (Japanese): Tomoyuki Arai\u00a0<br>Artist Assistant, Production Manager, Subtitles: Johann Yamin\u00a0<br>Artist Assistant, Production Coordinator: Janfer Chung\u00a0<br>Co-Producer: Stephanie Goh\u00a0<br><br>Animation and Foley: Screen Breathes Studio\u00a0<br>Animation Producer: Sirius Black\u00a0<br>Sound Mix: Jeffrey Yue\u00a0<br>Additional Sound Mixing: Cheng Lijie\u00a0<br><br>Music Composer: Aki Onda\u00a0<br>Voice: Phew\u00a0<br>Sound Engineer: Toshihiko Kasai<br><br>First commissioned by: Toyota Municipal Museum of Art, Japan<br>Supported by: National Arts Council, Singapore and Kiang Malingue<br>\u00a0 <a href=\"#993cc6a3-1ea8-49ad-8c7c-aae823cde99b-link\" aria-label=\"6 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"c7a36e9b-4fa4-4111-b4c8-c68e48bd6e59\">Directions, Script, Edit, Sound Co-Design, Co-Producer: Ho Tzu Nyen\u00a0<br>Research, Script Collaboration, Translation (Japanese): Yoko Nose\u00a0<br>Dramaturgy, Research, Script Collaboration, Translation (Japanese): Tomoyuki Arai\u00a0<br>Artist Assistant, Production Manager, Subtitles: Johann Yamin\u00a0<br>Artist Assistant, Production Coordinator: Janfer Chung\u00a0<br>Co-Producer: Stephanie Goh\u00a0<br><br>Animation and Foley: Screen Breathes Studio\u00a0<br>Animation Producer: Sirius Black\u00a0<br>Sound Mix: Jeffrey Yue\u00a0<br>Additional Sound Mixing: Cheng Lijie\u00a0<br><br>Music Composer: Aki Onda\u00a0<br>Kora, Fife, Casio Tone: Nao Nishihara\u00a0<br>Sound Engineer: Toshihiko Kasai\u00a0<br>Assistant Sound Engineer: Takuma Kase\u00a0<br><br>First commissioned by: Toyota Municipal Museum of Art, Japan<br>Supported by: National Arts Council, Singapore and Kiang Malingue<br>\u00a0 <a href=\"#c7a36e9b-4fa4-4111-b4c8-c68e48bd6e59-link\" aria-label=\"7 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><li id=\"9e418857-6753-4364-9f81-887e41e70216\">Directions, Script, Edit, Sound Co-Design, Co-Producer: Ho Tzu Nyen\u00a0<br>Research, Script Collaboration, Translation (Japanese): Yoko Nose\u00a0<br>Dramaturgy, Research, Script Collaboration, Translation (Japanese): Tomoyuki Arai\u00a0<br>Artist Assistant, Production Manager, Subtitles: Johann Yamin\u00a0<br>Artist Assistant, Production Coordinator: Janfer Chung\u00a0<br>Co-Producer: Stephanie Goh\u00a0<br><br>Animation and Foley: Screen Breathes Studio\u00a0<br>Animation Producer: Sirius Black\u00a0<br>Sound Mix: Jeffrey Yue\u00a0<br>Additional Sound Mixing: Cheng Lijie\u00a0<br><br>Music Composer: Aki Onda|<br>Taepyeongso, China Cymbal, Jing: Nao Nishihara\u00a0<br>Sound Engineer: Toshihiko Kasai\u00a0<br><br>First commissioned by: Toyota Municipal Museum of Art, Japan<br>Supported by: National Arts Council, Singapore and Kiang Malingue\u00a0 <a href=\"#9e418857-6753-4364-9f81-887e41e70216-link\" aria-label=\"8 \uac01\uc8fc \ucc38\uc870\ub85c \ub118\uc5b4\uac00\uc138\uc694\">\u21a9\ufe0e<\/a><\/li><\/ol>","protected":false},"excerpt":{"rendered":"<p>EXHIBITION ARTIST Ho Tzu Nyen Singaporean artist Ho Tzu Nyen delves into the histories, politics, and spiritual traditions of Southeast [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"[{\"content\":\"Chinese voice: Song Yuzhe\u00a0<br>Vietnamese voice: Hung Manh Le\u00a0<br>Chinese translation: Low Kah Wei\u00a0<br>Vietnamese translation: Aaron Hasche\u00a0<br>Sound Mix: Titus Maderlechner\u00a0<br>Color Grading: Carolin R\u00f6ckelein<br>\u00a0\",\"id\":\"e684c5de-45cc-4a8a-bd0e-c0afac42ebeb\"},{\"content\":\"1989 - <em>City of Sadness<\/em> by Hou Hsiao Hsien, 157 min\u00a0<br>1990 - <em>Bullet in the Head<\/em> by John Woo, 136 min\u00a0<br>1990 - <em>Days of Being Wild<\/em> by Wong Kar Wai, 94 min\u00a0<br>1992 - <em>Hard Boiled<\/em> by John Woo, 1992, 128 min\u00a0<br>1994 - <em>Ashes of Time<\/em> by Wong Kar Wai, 100 min\u00a0<br>1994 - <em>Chungking Express<\/em> by Wong Kar Wai, 94 min\u00a0<br>1995 - <em>Xich lo (Cyclo)<\/em> by Tran Anh Hung, 123 min\u00a0<br>1997 - <em>Happy Together<\/em> by Wong Kar Wai, 96 min\u00a0<br>1998 -<em> The Longest Nite<\/em> by Patrick Yau, 81 min<br>2000 - <em>In the Mood for Love<\/em> Wong Kar Wai, 98 min<br>2002 -<em> Infernal Affairs (Part 1)<\/em> by Andrew Lau and Alan Mak, 101 min\u00a0<br>2004 - <em>2046<\/em> by Wong Kar Wai, 129 min\u00a0\u00a0<br>2007 - <em>Lust Caution<\/em> by Ang Lee, 157 min\u00a0<br>2011 - <em>The Great Magician<\/em> by Yee Tung-Shing, 128 min<br>2012 - <em>The Silent War<\/em> by Felix Chong and alan Mak, 120 min<br>2013 - <em>The Grandmaster<\/em> by Wong Kar Wai, 130 min<br>\u00a0\u00a0\",\"id\":\"7bf50d31-b80e-42c6-8d79-0f45bae565f4\"},{\"content\":\"Directions, script, edit, sound: Ho Tzu Nyen\u00a0<br>Project manager: Stephanie Goh\u00a0<br>Sound mix and audio engineer: Titus Maderlechner\u00a0<br>Color grading: Carolin R\u00f6ckelein<br>Research consultant:\u00a0 Marc Opper\u00a0<br>Chinese translation and voice:\u00a0 Tay Kong Hui\u00a0<br>American voices: Peter Gilbert Cotton\u00a0<br>Jonathan Failla\u00a0\u00a0<br>Tom Strauss\u00a0\u00a0<br>Project originally commissioned by Ariane Beyn forexhibition <em>The Name<\/em> (2015) at daadgalerie, Berlin\u00a0<br>Special Thanks:\u00a0 Bettina Klein, Marc Opper\u00a0<br>\u00a0\u00a0\",\"id\":\"013594ee-9c28-4e72-87cb-39ab51f1961d\"},{\"content\":\"1980 - <em>The Shining <\/em>by Stanley Kubrick, 144 min\u00a0<br>1982 - <em>Deathtrap <\/em>by Sidney Lumet, 116 min\u00a0<br>1987 - <em>Barfly <\/em>by Barbet Schroeder, 100 min\u00a0<br>1990 - <em>Misery <\/em>by Rob Reiner, 107 min<br>1991 - <em>Barton Fink <\/em>by Joel and Ethan Coen, 116 min<br>1991 - <em>Kafka <\/em>by Steven Soderbergh, 98 min\u00a0<br>1991 - <em>Naked Lunch <\/em>by David Cronenberg, 115 min\u00a0<br>1994 - <em>The Hudsucker Proxy <\/em>by Joel and Ethan Coen, 111 min\u202f\u00a0<br>1997 - <em>Deconstructing Harry <\/em>by Woody Allen, 96 min\u00a0<br>2000 - <em>Wonder Boys <\/em>by Curtis Hanson, 107 min<br>2000 - <em>Finding Forrester <\/em>by Gus Van Sant, 136 min\u202f<br>2002 - <em>Adaptation <\/em>by Spike Jonze, 114 min<br>2004 - <em>Secret Window <\/em>by David Koepp, 96 min\u00a0<br>2005 - <em>Capote <\/em>by Bennett Miller, 114 min\u00a0<br>2005 - <em>Factotum <\/em>by Bent Hamer, 94 min\u00a0<br>2006 - <em>Half Light <\/em>by Craig Rosenberg, 110 min\u00a0<br>2006 - <em>Ask the Dust <\/em>by Robert Towne, 117 min\u00a0<br>2007 - <em>1408 <\/em>by Mikael H\u00e5fstr\u00f6m, 104 min\u00a0<br>2007 - <em>Atonement <\/em>by Joe Wright, 123 min<br>2008 - <em>Gonzo<\/em> by Alex Gibney, 120 min\u00a0<br>2010 - <em>The Ghost Writer <\/em>by Roman Polanski, 128 min\u00a0<br>2010 - <em>Howl <\/em>by Rob Epstein and Jeffrey Friedman, 84 min\u00a0<br>2011 - <em>The Rum Diary <\/em>by Bruce Robinson, 120 min<br>2012 - <em>Hemingway &amp; Gellhorn<\/em> by Philip Kaufman, 155 min<br>2012 - <em>The Master <\/em>by Paul Thomas Anderson, 144 min\u00a0<br>2013 - <em>Kill Your Darlings <\/em>by John Krokidas, 104 min<br>\",\"id\":\"30c637b7-3e54-4437-9b68-5b467e1a7b50\"},{\"content\":\"1943 - William J. Kennedy, <em>Pre-Service course in Shop Practice<\/em>, U.S.A., New York: John Wiley &amp; Sons, INC., 1943, republished by India, New Delhi: Isha Books, 2013. <br>*According to the Library of Congress Catalogue, William J. Kennedy is the pseudonym of Gene Z. Hanrahan. <br>1954 - Gene Z. Hanrahan, <em>The Communist Struggle in Malaya<\/em>, U.S.A, New York: Institute of Pacific Relations 1954, republished by Malaysia, Kuala Lumpur: The University of Malaya Press in 1979. <br>1954 - Gene Z. Hanrahan, <em>Japanese Operations Against Guerilla Forces<\/em> , U.S.A., Maryland: Operations Research Office, The John Hopkins University. <br>1962 - Gene Z. Hanrahan (ed.), <em>ASSAULT! True Action Stories of the Island War in the Pacific<\/em>, selected, edited and introduced by Gene Z. Hanrahan, U.S.A., New York: Bantam Books. <br>1962 - Gene Z. Hanrahan (ed.), <em>Hemingway - The Wild Years<\/em> selected, edited and introduced by Gene Z. 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Hanrahan (ed.), to <em>Counter Revolution Along the Border<\/em>, Volume VII of Documents on the Mexican Revolution, U.S.A., North Carolina: Documentary Publications. <br>1983 - Gene Z. Hanrahan (ed.), <em>The Rebellion of Felix Diaz<\/em>, Documents on the Mexican Revolution, Volume VIII (U.S.A., North Carolina: Documentary Publications. <br>1985 - Gene Z. Hanrahan (ed.), <em>The Terrorist Classic: Carlos Marighella, Manual of the Urban Guerilla<\/em>, U.S.A., North Carolina: Documentary Publications. <br>1985 - Gene Z. 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Express<\/em> by Wong Kar Wai, 94 min\u00a0<br>1995 - <em>Xich lo (Cyclo)<\/em> by Tran Anh Hung, 123 min\u00a0<br>1997 - <em>Happy Together<\/em> by Wong Kar Wai, 96 min\u00a0<br>1998 -<em> The Longest Nite<\/em> by Patrick Yau, 81 min<br>2000 - <em>In the Mood for Love<\/em> Wong Kar Wai, 98 min<br>2002 -<em> Infernal Affairs (Part 1)<\/em> by Andrew Lau and Alan Mak, 101 min\u00a0<br>2004 - <em>2046<\/em> by Wong Kar Wai, 129 min\u00a0\u00a0<br>2007 - <em>Lust Caution<\/em> by Ang Lee, 157 min\u00a0<br>2011 - <em>The Great Magician<\/em> by Yee Tung-Shing, 128 min<br>2012 - <em>The Silent War<\/em> by Felix Chong and alan Mak, 120 min<br>2013 - <em>The Grandmaster<\/em> by Wong Kar Wai, 130 min<br>\u00a0\u00a0\",\"id\":\"7bf50d31-b80e-42c6-8d79-0f45bae565f4\"},{\"content\":\"Directions, script, edit, sound: Ho Tzu Nyen\u00a0<br>Project manager: Stephanie Goh\u00a0<br>Sound mix and audio engineer: Titus Maderlechner\u00a0<br>Color grading: Carolin R\u00f6ckelein<br>Research consultant:\u00a0 Marc Opper\u00a0<br>Chinese translation and voice:\u00a0 Tay Kong Hui\u00a0<br>American voices: Peter Gilbert Cotton\u00a0<br>Jonathan Failla\u00a0\u00a0<br>Tom Strauss\u00a0\u00a0<br>Project originally commissioned by Ariane Beyn forexhibition <em>The Name<\/em> (2015) at daadgalerie, Berlin\u00a0<br>Special Thanks:\u00a0 Bettina Klein, Marc Opper\u00a0<br>\u00a0\u00a0\",\"id\":\"013594ee-9c28-4e72-87cb-39ab51f1961d\"},{\"content\":\"1980 - <em>The Shining <\/em>by Stanley Kubrick, 144 min\u00a0<br>1982 - <em>Deathtrap <\/em>by Sidney Lumet, 116 min\u00a0<br>1987 - <em>Barfly <\/em>by Barbet Schroeder, 100 min\u00a0<br>1990 - <em>Misery <\/em>by Rob Reiner, 107 min<br>1991 - <em>Barton Fink <\/em>by Joel and Ethan Coen, 116 min<br>1991 - <em>Kafka <\/em>by Steven Soderbergh, 98 min\u00a0<br>1991 - <em>Naked Lunch <\/em>by David Cronenberg, 115 min\u00a0<br>1994 - <em>The Hudsucker Proxy <\/em>by Joel and Ethan Coen, 111 min\u202f\u00a0<br>1997 - <em>Deconstructing Harry <\/em>by Woody Allen, 96 min\u00a0<br>2000 - <em>Wonder Boys <\/em>by Curtis Hanson, 107 min<br>2000 - <em>Finding Forrester <\/em>by Gus Van Sant, 136 min\u202f<br>2002 - <em>Adaptation <\/em>by Spike Jonze, 114 min<br>2004 - <em>Secret Window <\/em>by David Koepp, 96 min\u00a0<br>2005 - <em>Capote <\/em>by Bennett Miller, 114 min\u00a0<br>2005 - <em>Factotum <\/em>by Bent Hamer, 94 min\u00a0<br>2006 - <em>Half Light <\/em>by Craig Rosenberg, 110 min\u00a0<br>2006 - <em>Ask the Dust <\/em>by Robert Towne, 117 min\u00a0<br>2007 - <em>1408 <\/em>by Mikael H\u00e5fstr\u00f6m, 104 min\u00a0<br>2007 - <em>Atonement <\/em>by Joe Wright, 123 min<br>2008 - <em>Gonzo<\/em> by Alex Gibney, 120 min\u00a0<br>2010 - <em>The Ghost Writer <\/em>by Roman Polanski, 128 min\u00a0<br>2010 - <em>Howl <\/em>by Rob Epstein and Jeffrey Friedman, 84 min\u00a0<br>2011 - <em>The Rum Diary <\/em>by Bruce Robinson, 120 min<br>2012 - <em>Hemingway &amp; Gellhorn<\/em> by Philip Kaufman, 155 min<br>2012 - <em>The Master <\/em>by Paul Thomas Anderson, 144 min\u00a0<br>2013 - <em>Kill Your Darlings <\/em>by John Krokidas, 104 min<br>\",\"id\":\"30c637b7-3e54-4437-9b68-5b467e1a7b50\"},{\"content\":\"1943 - William J. Kennedy, <em>Pre-Service course in Shop Practice<\/em>, U.S.A., New York: John Wiley &amp; Sons, INC., 1943, republished by India, New Delhi: Isha Books, 2013. <br>*According to the Library of Congress Catalogue, William J. Kennedy is the pseudonym of Gene Z. Hanrahan. <br>1954 - Gene Z. Hanrahan, <em>The Communist Struggle in Malaya<\/em>, U.S.A, New York: Institute of Pacific Relations 1954, republished by Malaysia, Kuala Lumpur: The University of Malaya Press in 1979. <br>1954 - Gene Z. Hanrahan, <em>Japanese Operations Against Guerilla Forces<\/em> , U.S.A., Maryland: Operations Research Office, The John Hopkins University. <br>1962 - Gene Z. Hanrahan (ed.), <em>ASSAULT! True Action Stories of the Island War in the Pacific<\/em>, selected, edited and introduced by Gene Z. Hanrahan, U.S.A., New York: Bantam Books. <br>1962 - Gene Z. Hanrahan (ed.), <em>Hemingway - The Wild Years<\/em> selected, edited and introduced by Gene Z. Hanrahan, U.S.A, New York: Dell Publishing. <br>1965 - Gene Z. Hanrahan (ed.), \u2018Foreword\u2019 to <em>50 Great Oriental Stories<\/em>, selected, edited and introduced by Gene Z. Hanrahan, U.S.A., New York: Bantam Books. <br>1974 - Gene Z. Hanrahan, <em>Communist Guerilla Warfare Tactics<\/em>, U.S.A., Colorado: Paladin Press. <br>1981 - Gene Z. Hanrahan (ed.), <em>The Murder of Madero, and the Role Played by the U.S. Ambassador Henry Lane Wilson<\/em>, Volume IV of Documents on the Mexican Revolution, U.S.A., North Carolina: Documentary Publications. <br>1981 - Gene Z. Hanrahan (ed.), <em>The Election of Madero, the Rise of Emiliano Zapata and the Reyes Plot in Texas<\/em>, Volume III of Documents on the Mexican Revolution (U.S.A., North Carolina: Documentary Publications. <br>1982 - Gene Z. Hanrahan (ed.), <em>Blood Below the Border \u2013 American Eyewitness Accounts of the Mexican Revolution<\/em>, U.S.A., North Carolina: Documentary Publications. <br>1983 - Gene Z. Hanrahan (ed.), to <em>Counter Revolution Along the Border<\/em>, Volume VII of Documents on the Mexican Revolution, U.S.A., North Carolina: Documentary Publications. <br>1983 - Gene Z. Hanrahan (ed.), <em>The Rebellion of Felix Diaz<\/em>, Documents on the Mexican Revolution, Volume VIII (U.S.A., North Carolina: Documentary Publications. <br>1985 - Gene Z. Hanrahan (ed.), <em>The Terrorist Classic: Carlos Marighella, Manual of the Urban Guerilla<\/em>, U.S.A., North Carolina: Documentary Publications. <br>1985 - Gene Z. Hanrahan (ed.), <em>The Bad Yankee \/ El Peligro Yankee \u2013 American Entrepreneurs and Financiers in Mexico<\/em>, Documents on the Mexican Revolution Volume IX (U.S.A., North Carolina: Documentary Publications. <br>1992 - Cheah Boon Kheng, <em>From PKI to the Comintern, 1924 - 1941: The Apprenticeship of the Malayan Communist Party<\/em>, U.S.A, New York: Cornell University Press, Southeast Asia Program Publications.<br>\",\"id\":\"a68e14dc-4e06-49d0-9b08-cf0b6567b8c4\"},{\"content\":\"Directions, Script, Edit, Sound Co-Design, Co-Producer: Ho Tzu Nyen\u00a0<br>Research, Script Collaboration, Translation (Japanese): Yoko Nose\u00a0<br>Translation (Japanese): Tomoyuki Arai\u00a0<br>Artist Assistant, Production Manager, Subtitles: Johann Yamin\u00a0<br>Artist Assistant, Production Coordinator: Janfer Chung\u00a0<br>Co-Producer: Stephanie Goh\u00a0<br><br>Animation and Foley: Screen Breathes Studio\u00a0<br>Animation Producer: Sirius Black\u00a0<br>Sound Mix: Jeffrey 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